E. C. (Gene) Ayres Blogspot

Recently, the film Anonymous attempted to make a case that Shakespeare was a fraud--a premise I support in my own book Il Libro Segreto di Shakespeare --but with different conclusions as to who the true author really was. I'd say read the book, but unless you are fluent in Italian, Russian, Czech, or Polish you can't, until an English language publisher is finally willing to step forward and put this book out there. Thus far they won't, making this the first book in literary history to be a bestseller in foreign translation, and not published in the author's native language. Apart from the fraud part, I take issue with Roland Emmerich's film primarily because it is irrelevant. Unfortunately, he and his producers spent $30 million trying to convince an uncaring filmgoing public that William Shakespeare was actually the 17th Earl of Oxford, the Elizabethan equivalent to Donald Trump. Or rather, it was like trying to convince American readers that Michael Moore is rea

Recently I attended a rather remarkable catered event sponsored by Amazon.com's answer to the democratization of publishing--CreateSpace--whose motto seems to be 'Anyone can be an author.' Unlike, apparently, in the old un-democratic days when you had to be able to write, with a product that passes at least somebody's version of muster (usually one of those now-nearly extinct educated female editors with a no-nonsense approach and a degree or two from Barnard or Wellesley). Yet here in the now in Seattle, it all seemed fitting, because one of the key topics was having a so-called 'platform,' and as former publisher and editor Alan Rinzler (who has published and edited such dauntingly diverse clients as Toni Morrision, Hunter S. Thompson, Tom Robbins, Shirley MacLaine, Clive Cussler, Andy Warhol, and Robert Ludlum and thus has stood on lots of platforms prior to this one at the Asian Art Museum) put it, "who are you to write about this subject?" Indeed