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Showing posts with the label art

Do You Believe in Magic?

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What is it about belief, that compels us mere mortals to reject all reason, logic or common sense, let alone science, in pursuit of that which we cannot have, and yet must? Religion, of course, has served to fill this gap in people's lives, and role in their hearts and minds for thousands of years. Religion is a proven provider of sustenance to a certain kind of addiction that seems to afflict most, if not all humans. It is potentially beneficial, of course, as was the probable intent of the prophets and originators in terms of its more positive messages. And of course, like chemical addictions, it is also potentially destructive, and has in fact taken the lives of millions over time, as it continues to do so even today. Music and art also provide an escape into an alternate state, like religion, and to some (including yours truly) it is a better outlet. When I go to a top-level performance of a Beethoven symphony, or a Bach or Mozart sonata or a Rachmaninoff piano concerto, it...

Civilization as We Know It

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There were three extremely disturbing stories in the news this morning, and none had anything to do with Libya, or Obama, or deficits (at least fiscal ones) or our disfunctional Congress. What they had a lot more to do with was the End of Civilization as we know it. To wit: the Philadelphia Orchestra is bankrupt. That is huge, and utterly inexcusable to be allowed to happen in any society that still imagines itself to be advanced. On a lesser scale, but equally significant, here in Seattle two similar cultural decisions have been reached: to close down the Intiman Theater, arguably the finest repertory company on the West Coast; and on a smaller, but perhaps even more significant scale, Nordstroms is firing all its piano players. No, not because they are too costly, or not gifted enough, or destract shoppers from their mission. No, it's because today's shoppers, it turns out, pefer canned pop music to live piano. So I think it wouldn't be too much of a reach to say that to...

In Concert

Last Friday evening I attended a concert at Benaroya Hall in Seattle, where I live, and as I occasionally am wont to do. It was an old favorite, a Romantic paen, the ultimate Classical performance piece: Tchaikovsky's Piano Concerto No. 1. The guest conductor was a young Spaniard, Pablo Heras-Casado, and the performer was an Englishman, multi-award winner, named Stephen Hough. It was a perfect performance, and as always, powerful experience. But I am not a music critic, per se, other than at my own personal level. But I come from a musical family, have grown up with and lived with music all of my life, been a musician of sorts myself, and music remains my first love. As an author, I am best gifted, for better or worse, at composing with words. Words are a wonderful tool and thing, however often disparaged by the linguistically challenged (George W. Bush and Sarah Palin come to mind),and the English language is the compendium of all languages. But the spoken language still cannot st...

The Beat Goes On

I believe there is such a thing as time travel. It is called 'Art.' It's music. It's film. It's paint. It's sculpture. It's what we do that makes us human. Art is timeless. You're there, at the moment of creation, every time. Have you ever wondered why it is that when you listen to an old song, one that got you viscerally that first time you heard it, it's that first time happening, at some level in your soul, all over again? Why is it that ten million people wanted to attend Michael Jackson's funeral? I was never a fan, but I always found him fascinating, and that Moon Walk was kinda cool. As a human being, he was a pretty spectacular flop. But at some level, he reached maybe a billion people worldwide, with those moves, those tunes, that beat. And even I, ever a non-fan, can summmon a moment in my past life when it got to me, and even I was sashaying across a floor in a club somewhere (I lived in L.A. back then) moving backwards, trying not to...

When Gay Meant Happy

Back in Jane Austen's time people used to laugh, and sing happy songs like ‘now we don our gay apparel.’ But now gay means getting murdered in rural Wyoming like Matthew Shepard, or flogged in Teheran, or at best having to be secretive, or at least pretty brave, if you choose to come out anywhere outside of, say, the West Village or West Hollywood. But to me, I keep wondering just what all the fuss is all about. It’s like the old saying, ‘some of my best friends are Jews.’ Or in this case, ‘gays.’ Relatives too. Even favorite ones. Having worked in the arts, music, Hollywood and literary worlds my whole life, I was bound to meet one or two of them. And it’s hard to understand why all this anathema from the rest of us. Most of the gays I’ve met are very nice, well educated, well dressed, polite people who wash their hands, and have excellent taste in most matters. Every town or city I’ve ever lived in was improved once gays moved in: art galleries were opened, good restaurants, thea...